Isn’t It Romantic? ‘Fraid Not
Sabrina is a movie which has ‘me’ written all over it. A romantic comedy directed by Billy Wilder and starring Humphrey Bogart and Audrey Hepburn. I should be writing a review right now proclaiming my love for it, but unfortunately, that’s not the case. Despite my best efforts, I can’t get emotionally engaged with this film. That was disappointing enough, although the thing which drove me crazy is that I couldn’t figure out why Sabrina doesn’t engage me despite being my cup of tea; a giant mug of tea with a chocolate digestive on the side.
I know many people comment on the issue of a young girl being involved in a relationship with a man old enough to be her father, but once you’ve seen enough classic Hollywood movies in which this is the case, then you get used to it. Sabrina’s love interest David Larrabee (William Holden) didn’t strike me as an interesting character initially, but on closer examination, I think he does have some personality in how superficial he is, but I’m not convinced you would want to kill yourself over this guy. Also, his hair bleached in this film, it looks terrible.
On closer inspection, I believe the major flaw in Sabrina is that the title character is simply not interesting. I never caught onto this previously due to Audrey Hepburn’s natural lovable charm, but when thinking to myself about what are this character’s personality traits, a tumbleweed went by in my mind. Her transition from ugly duckling to glamour goddess is unconvincing; I imagine making Audrey Hepburn appear unattractive is impossible, but her appearance when she returns from Paris compared to her earlier self is largely the same aside from her just wearing more classy attire. Due to this the scene in which David meets Sabrina for the first time after returning from Paris and he doesn’t recognise her is hard to digest. Compare this to the 1995 remake (which yes I think is a much better film), it gives the character of Sabrina an in-depth personality, a character transition which is more substantial and stronger chemistry between the leading lady and her two male co-stars, but that is for another review.
Bogart’s role is the only character in the triangle who I find has any character development, playing against type as a sympathetic businessman. I find Sabrina isn’t without its moments, such as William Holden getting glass up his…you know. Was this word commonly known in 1954? Did 1950’s moviegoers get the joke? Sabrina is more ordinary than Wilder’s other movies, and I feel it could have been directed by anyone. I assume Wilder wanting to direct something lighter for a change, not that there’s anything wrong with that, however, this is his only movie from the 1950’s which I don’t like. I guess you can’t win ‘em all.