Screwball Comedy on Steroids
I make it no secret that screwball comedy is my favourite genre of film. I can never get tired of these films; to me, this is the most un-boring genre ever. Whenever I’m watching a great screwball comedy I’m on cloud 9 and when it’s over I’m always left wanting more. Sometimes I wish my life was a screwball comedy.
Bringing Up Baby is the quintessential daffy dame/stuffy gentleman movie (a formula often imitated but never topped) and I find it endlessly fascinating this premise of how this woman constantly infiltrates this man’s life and just won’t go away. You think it would be easy that he could avoid her but the manner in which she keeps coming back into his life is comedic brilliance. Like many great comedies, the jokes in Bringing Up Baby always take me by surprise no matter how many times I see it. Howard Hawks seems to have a distinctive style of slapstick comedy which separates his screwball comedies from others but what this is I can’t put my finger on; Hawks’ screwball simply has a distinctive electrically energy to it. Bringing Up Baby was produced at RKO studios, of whom I can’t help but notice their films have a distinctive imperfection of a grainy image quality and the use of soft lighting which is very easy on the eyes; the days when movie studios had their own distinctive styles.
I don’t think Katharine Hepburn ever looked more staggeringly beautiful than she does in Bringing Up Baby, I even find myself infatuated with the outfits she wears and her hairstyles in the film. Unlike other films of the genre, however, the romance is largely secondary to the rest of the story; with Susan (Hepburn) falling for David (Cary Grant) but not the other way around. Even with David eventually proclaiming his love for Susan I get the impression the two only remain (unlikely) friends. Likewise, the common screwball comedy theme of a crisis of masculinity is really played up here to the full with Grant wearing a woman’s dressing gown an even proclaiming in a fit of rage to be ”gay all of a sudden”.
David’s wild goose chase to obtain a dinosaur bone known as an ‘intercostal clavicle’ (a nonexistent fossil created for the movie) to complete the museum’s Brontosaurus skeleton, it’s eventfully destruction at the hands of Susan (Hepburn) as well as Susan’s treating a leopard as a pet is all perfectly in tune with the character’s defiance of the natural order of things. Bringing Up Baby is the only screwball comedy I can think of which involves it’s cast interacting with a dangerous animal; I’m unsure why this never became a common screwball trope, I guess studios wouldn’t allow their cast and crew to be placed in such danger. My review title may sound hyperbolic but I’d pair Bringing Up Baby with You Can’t Take It With You as the most over the top, steroidal, off the wall offering in the screwball comedy genre. Watching Bringing Up Baby is like watching a movie with the fast-forward button turned on; the film is over before you know it. Old movies are slow and boring? Whoever came up with such nonsense?