Teacher’s Pet (1958)

I’m Learnding!

***This Review Contains Spoilers***

Teacher’s Pet showcases that even by the late 1950s, Clark Gable still had a gift for comedy. His timing, facial gestures and body movements are all spot on (likewise the cartoon drawing of Gable in the opening credits is the spitting image of Gomez Adams). It’s clear by this stage in his life Hollywood had gotten the better of him and he wasn’t the sex symbol he once was but the animal magnetism is still there (despite what appears to have a missing tooth or a large gap between his teeth). Teacher’s Pet is one of the few worthwhile endeavors of Gable’s later days in which he plays working-class hero Jim Gannon; editor for a large city newspaper. Gannon is a man who never went to high school and has a dislike of colleges (says he can’t even stand the smell of chalk) and a distrust of intellectuals. Gannon believes the only way to be trained for the world of journalism is through practical, hands-on experience and not in the classroom.

In the late 1950s, the majority of American newspapers still employed old school journalists and editors. However, a new post-war idea sprang up to help professionalize the news industry (among other fields) by requiring would-be journalists to get a university diploma in order to get hired as a news reporter; a field which had been traditionally more working class. This conflict between these differing world views is at the heart of Teacher’s Pet in which Gannon pretends to be a newcomer to the profession in the journalism class of Dr. Erica Stone (Doris Day).

Stone is a representation of what we would now identify as the typical university-educated liberal with her butch haircut and concern for social issues (“Was it because he’s the member of a minority group, struggling to solve the complex problem of assimilation? Did society at large create the climate for this tragedy?). She doesn’t look highly upon Gannon’s breed of journalist, describing them as the “unpressed gentlemen of the press”, and a dying race. Teacher’s Pet certainly saw the writing on the wall, as today journalism is seen as a profession of the university-educated class. It appears the movie is going to take a corny best of both world’s view for its conclusion until Jim decides at the end that he can’t change his perspective.

Part of what makes Teacher’s Pet entertaining is Jim’s epic, what we would refer to in the early 21st century as trolling in which Jim pretends to be a journalism newcomer to show Dr. Stone and her class to show “what a phony-baloney the whole thing is” (and yes this guy must have a lot of free time outside of work). He acts a pathetic nuisance to the class, only to then write an article to Dr. Stone’s amazement which includes the key ingredients of any news story;  who, what, where, when and why?

The cast of Teacher’s Pet also includes Mamie Van Doran as a second rate Marilyn Monroe. She primarily starred in juvenile delinquency B movies in the late 1950s and even sings a number in Teacher’s Pet which reflects this. Likewise, the always memorable Charles Lane plays a member of Jim’s staff roll at the paper, portraying less of a sourpuss this time round. Many viewers appear to comment that Gable is too old to be a journalism prodigy, however, I believe his old age is central to the character; just like how Gannon represents a different age of journalism, Gable represents a different age of Hollywood to that of Doris Day. The first half of Teacher’s Pet moves along at a brisk pace, although I find the film’s second half doesn’t flow quite as good, particularly when it pulls the dreaded lair revealed cliché. It slows down proceedings, leaving Teacher’s Pet a good if not quite great comic outing, but a prophetic one at that.

The Country Girl (1954)

Bing on a Binge

It’s good enough when a movie can impress me with an excellent performance delivered from an actor whom I didn’t think had the chops to do so, now multiply that by three and you’ve got The Country Girl.

I had only previously seen Bing Crosby in several musicals and comedies. He’s never struck me as an enigmatic screen presence but serviceable none the less. Thus surprise performance # 1 in The Country Girl. Why didn’t Crosby do more dramatic roles in his career? This is one of most powerful performances I’ve ever seen as a washed-up alcoholic performer who has hit rock bottom. Like Ray Milland in The Lost Weekend and Jack Lemon in Days of Wine and Roses, Crosby’s performance has helped convince me never to start drinking (or at least that would be the case since I’ve never had any intention of starting).

Yet I would still say he’s outdone by William Holden, surprise performance #2. I’ve found Holden to be very hit or miss as an actor, possibly relying on great directors to get a good performance out of him otherwise he comes off to me as forgettable. The jury is still out on his abilities as an actor but never less after watching The Country Girl again, I can say this is my favourite performance I’ve seen him deliver giving so much raw energy as a driven stage producer.

Finally in the triangle of surprise is Grace Kelly. Prior to watching The Country Girl, I was becoming increasingly anti-Grace Kelly, questioning if she was even a very good actress. Here in this dowdy, playing against type role, my opinion of her changed. I have a rule when it comes to reviewing not to talk about Oscars as I see complaining about awards to be futile and cliché. Yet this is one exception in which I’m forced to break it due to the controversy surrounding her win. Judy Garland’s role in A Star Is Born is one of my favourite film performances of all time and should have won her the Oscar that year however if The Country Girl had been released most other years I would have been more than happy to see Grace Kelly get the Oscar.

Without delving into a mindless praise fest I really was left flabbergasted by this trio of performers aided with the help of the film’s unforgettable sense of atmosphere as Grace Kelly puts best herself: “There’s nothing quite so mysterious and silent as a dark theatre, a night without a star.”