Announcing The Fondathon!

HenryFondaJanePeter

The Fondas are an acting dynasty headed by patriarch Henry Fonda (1905-1982) who’s children Jane and Peter Fonda, granddaughter Bridget Fonda and grandson Troy Garity all became actors.

-For this blogathon please write about any film or TV show starring any of the Fondas or any topic relating to them.

-No more than two duplicates on any film or TV show will be allowed.

-To participate please comment along with the URL and name of your blog, and the subject you wish to cover of course. Or if you desire you can email the same details to me via mmallon4@gmail.com. Once your topic is approved please take one of the banners below and add it to your blog.

Date: February 1st – 3rd, 2019. Please submit your entries on these dates. I look forward to you joining in February!

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The Roster:

Sat In Your Lap: The Electric Horseman (1979)

The Pure Entertainment Preservation Society: Jezebel (1938)

Silver Screenings: My Darling Clementine (1946)

In The Good Old Days Of Classic HollywoodThe Story of Alexander Graham Bell (1939)

portraitsbyjenni: Yours, Mine and Ours (1968)

The Story Enthusiast: Sunday In New York (1963)

Realweegiemidget Reviews: Futureworld (1976)

Dubism: Mister Roberts (1955)

Thoughts All Sorts: Once Upon a Time In the West (1968)

The Wonderful World of Cinema: 12 Angry Men (1957)

It Came From the Man Cave!: 9 to 5 (1980)

Movierob: The Tin Star (1957), Klute (1971) & Ulee’s Gold (1997)

The Midnite Drive-In: Dirty Mary, Crazy Larry (1974) & Race with the Devil (1975)

Critica Retro: Tall Story (1960)

Musings of a Classic Film Addict: Let Us Live (1939)

The Flapper Dame: The Big Street (1942)

Overture Books and Film: Rings On Her Fingers (1942)

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Yours, Mine and Ours (1968)

Every Sperm Is Sacred

***This Review Contains Spoilers***

Frank Beardsley’s (Henry Fonda) opening narration tells of how his children feel he neglected his wife and their mother; an interesting parallel to real life in which Fonda told his wife Frances Ford Seymour in 1949 he wanted a divorce so he could remarry after an unhappy 13 year marriage; a confession which drove her to suicide. Not to mention Fonda was a man who was “emotionally distant” to his children starring in a movie like Yours, Mine and Ours, but being the great actor he is, never is he out of place.

Yours, Mine and Ours doesn’t have a massive amount of substance but has just enough to keep it afloat. It’s not the most advanced comic material for the likes of Lucille Ball but she makes the most of it. Apparently, Fonda became deeply in love with Ball during filming and the two became very close; always a benefit to the on-screen chemistry. Likewise, sex references still manage to slip into a family film (“He’ll bring me home in plenty of time for dessert”). The cinematography is also surprisingly advanced for a movie of this kind such as seen in the very opening shot of the film in which the camera pans back from a close up of Fonda to a battleship in its entirety. Likewise, there are plenty of effective shots of San Francisco.

The old-fashioned family ideals in Yours, Mine and Ours were not in tune with a changing America of the time. The film was originally to be made in the early 60’s but was delayed due to various setbacks but the fashions present here are clearly of the late 60’s. With the film’s inclusion of battleships and planes, the movie clearly has US Navy endorsement and I can see this pro-military aspect of the film not going down well during the days of the Vietnam War. Likewise, at the end of the film the eldest son Michael Beardsley joining the armed forces; so I guess that’s off to Nam! This is the aspect of Yours, Mine and Ours which I find the most interesting; it’s a film which the product of before it’s time, clinging onto bygone values. For example, the movie has Van Johnson in a supporting role whom I’ve always pictured as being an archetypal 50’s actor. But more importantly Frank Beardsley can’t be a stay at home father, he’s clearly a man’s man as evident from his high ranking position in the navy.

Jack Frost (1998)

Jack Frost: An Appreciation

When I was a kid, nothing got me and my friends more hyped up in anticipation than snow. Yep – glorious white snow. To us, there were few other activities as fun as playing in the snow. One major problem, however; I grew up in a country in which we only get about 3-4 days a year of significant snowfall, in which it would actually settle on the ground. So when there was a significant level of snowfall, we would make the utmost use of it. Snowball fights, sledding, making snow angels and of course making a snowman.

Snowmen were a subject of my childhood fascination. Why? I’m not quite sure. They just have a certain magical appeal. Whenever I would see one in someone else’s garden, I would always have to point it out, “Look, a snowman!”.  So when my friends and I heard about the movie Jack Frost, in which a snowman comes to life, we were psyched to see it. Although there already existed the 1982 animated short The Snowman which had a similar premise, I believe Jack Frost appealed to us more for several reasons:

-It was a movie more of our generation.

-It was live action and the snowman looks just like a real snowman we could have created ourselves.

-But most importantly, the movie was called Jack Frost. When I was younger, whenever there was a frosty night, we would always say that Jack Frost is out tonight.

So one weekend myself and one of my friends rented Jack Frost on video and we thought it was an absolute blast. However even at that age we thought there were some stupid moments, such as when Charlie is hanging over a wall of snow and he’s supposed to be in danger, yet the drop itself is tiny; or during the sledge chase sequence when two kids just happen to have a snowball the size of a boulder on standby to stop Charlie and Jack. However, the one aspect of the film we found to be the most unbelievable was in how Charlie had not got over his father’s death one year on. The reason for this is that a friend of ours had recently lost his father to an illness, yet was back in school one week later, acting as he normally would. To us, Charlie isolating himself from his friends due to his father’s death one year on seemed far-fetched.

Several years later, I saw Jack Frost again on TV one weekend and the following Monday in school, it seems half the class also watched it and were all raving about how much we loved it; discussing our favourite moments, talking about the scenes we found to be the funniest. Even my teacher had watched it over the weekend and called it – and I quote – “a wonderful film”. Of course, when the advent of the internet age come upon us, I found out Jack Frost is considered a terrible film and the critics trashed it. One of the biggest criticisms I hear against the movie being that the snowman is creepy, which even to this day I’ve never thought so. I think he looks cute and looks just like a snowman the average kid would make.

I’m probably the only person in the world who will give this film a serious appraisal but when I was younger it did strike a chord with us kids. I watched Jack Frost again several years ago with a more mature perspective and I still enjoyed it, with a pool of happy nostalgic memories coming flooding back. Rock on Jack Frost! Snow dad is better than no dad!