Announcing The Fondathon!


The Fondas are an acting dynasty headed by patriarch Henry Fonda (1905-1982) who’s children Jane and Peter Fonda, granddaughter Bridget Fonda and grandson Troy Garity all became actors.

-For this blogathon please write about any film or TV show starring any of the Fondas or any topic relating to them.

-No more than two duplicates on any film or TV show will be allowed.

-To participate please comment along with the URL and name of your blog, and the subject you wish to cover of course. Or if you desire you can email the same details to me via Once your topic is approved please take one of the banners below and add it to your blog.

Date: February 1st – 3rd, 2019. Please submit your entries on these dates. I look forward to you joining in February!

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The Roster:

Sat In Your Lap: The Electric Horseman (1979)

The Pure Entertainment Preservation Society: Jezebel (1938)

Silver Screenings: My Darling Clementine (1946)

In The Good Old Days Of Classic HollywoodThe Story of Alexander Graham Bell (1939)

portraitsbyjenni: Yours, Mine and Ours (1968)

The Story Enthusiast: Sunday In New York (1963)

Realweegiemidget Reviews: Futureworld (1976)

Dubism: Mister Roberts (1955)

Thoughts All Sorts: Once Upon a Time In the West (1968)

The Wonderful World of Cinema: 12 Angry Men (1957)

It Came From the Man Cave!: 9 to 5 (1980)

Movierob: The Tin Star (1957), Klute (1971) & Ulee’s Gold (1997)

The Midnite Drive-In: Dirty Mary, Crazy Larry (1974) & Race with the Devil (1975)

Critica Retro: Tall Story (1960)

Musings of a Classic Film Addict: Let Us Live (1939)

The Flapper Dame: The Big Street (1942)

Overture Books and Film: Rings On Her Fingers (1942)


Cinema Paradiso (1988)

The Ultimate Movie Lover’s Movie

***This Review Contains Spoilers***

Cinema Paradiso perfectly captures the obsessive and domineering power cinema has over its dedicated fans and their lives. Just like how our main character Toto becomes enchanted and engulfed by the movies, Cinema Paradiso is a movie which succeeds in doing just that. The movie follows the relationship of a child, Toto, with Alfredo, a projectionist at the local cinema, who becomes a father figure for Toto. Alfredo himself is very much a mythical character; he has no backstory or even a surname, yet he succeeds in being one of the most unforgettable characters in film history, wouldn’t we all want an Alfredo in our lives? Although he is a man who appears to have never made much for himself in life, ultimately a bit of a loser. This is one aspect of the story which really punches me in the gut; Alfredo prevents Toto from going down the same road as him but as the cost of never having to see him again. It works and especially in the director’s cut in which we learn Toto has become a famous filmmaker.

Cinema Paradiso is my favourite foreign language film and what a rich experience it is. The music, scenery and vibrant architecture of Sicily immediately draw me in; I simply enjoy the essence of being there. Like the stamp of any truly great film, Cinema Paradiso is a movie which you don’t want to end. I recommend wearing a life jacket while watching this movie or you will drown in your own tears. This is one few films that give me teary-eyed goosebumps even thinking about it, or by listening to Ennio Morricone’s score. In fact, it has just been brought to my attention that scientists have proposed a new theory that rising sea levels aren’t caused by melting ice caps but rather by people watching Cinema Paradiso.

For the original Italian release or director’s cut, the film had a run time of 173 minutes, for the international release it was cut to 124 minutes. I have to say however I greatly prefer the cut version. The director’s cut examines the romantic relationship between characters Toto and Elena in much more detail, turning what is a subplot in cut version into a main focus of the story and while interesting to see the loose ends and the explained justification for Alfredo’s actions, it does cause the movie to drag and in turn creating a version of the film with less emotional impact, whereas the cut version is a perfectly paced film. It also takes away some of the mystery posed by the shorter version, showing that some stories are best left untold, not everything has to be explained. I still feel the longer version is worth watching, it has made me dubious of director’s cuts.

Anyone passionate about cinema can’t afford to miss Cinema Paradiso (that being unless you’re a hardcore cynic, then this film will send you into a fit of rage) but aside from being a tribute to cinema, the film is full of emotions for nostalgia of childhood and youth, love and the losses we have to deal with during our lives. The cut version of Cinema Paradiso is Cinema Perfecto.

International Cut – 10/10

Director’s Cut – 7/10